The earliest known use of shell for cameo carving was during the 15th and 16th centuries. Before that, cameos were carved from hardstone. The Renaissance cameos are typically white on a grayish background and were carved from the shell of a mussel or cowry. In the mid 18th century, explorations revealed new shell varieties. Helmet shells from the West Indies, and queen conch shells from the Bahamas arrived in Europe, thus sparking a big increase in the number of cameos that were carved from shells. Most commonly, cameos portrayed the faces or images of Romanesque women. Most often they had upswept hairstyles and some were even adorned with jewelry. The cameos usually depicted the portrait of the “idealized” woman or god’s and goddesses from mythology.
This Victorian (ca1880) cameo pin is hand carved from shell and is simply gorgeous! The large cameo is set within a 14k frame, which features foliage and scrolling motifs. The substantial shell cameo is held within a bezel frame, and depicts the dainty side profile of a young woman. The woman’s hair is held in a loose updo, and roses and leaves are laying within her tousled curls. Additionally, the woman is depicted in loose, flowing garments, and her eyes are looking into the distance. The center of the cameo is encrusted with a .40ct old mine cut diamond, which represents a necklace being worn by the woman. The diamond is held within a milgrained box setting, and the chain of the necklace is represented by twisted wire. The back of the cameo features a smile pin closure, and a hidden bail. A truly wonderful cameo, this piece would make a fantastic addition to any Victorian-era jewelry collection!
Measurements: The cameo pin measures approximately 2″ tall, is 1 3/4″ wide and 3/8″ deep.
Condition: The overall condition of the pin/pendant is excellent. There is no apparent damage to the cameo or to the gold setting and the pin clasp and hidden bail are both in working order.
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